The Brexit 50p coin sums up Brexit

Sajid Javid has unveiled the second Brexit 50p to ‘celebrate’ the UK leaving the EU which will enter circulation this Friday when the UK leaves the EU effectively being the first nation in history to impose sanctions upon itself.

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All of this is bullshit, and all of this is designed to shove faces of Remainers in it because we now live in a time so polarised that ‘winners’ (and it remains to be seen what Brexiters have won barring racism and blue passports which are made in France) will have friendship with nations we’ve just told to fuck the fucking hell off?

And to make it worse, we’ve spent millions in melting down the ones which was supposed to celebrate leaving in October thus making it a perfect metaphor for Brexit itself.

Still, the funniest thing is that the 50p piece will be a constant reminder to those Brexiters trying to pretend in the coming years that they were never Brexiters, or this insane nonsense never happened.

A totally unexpected reappraisal of Justice League

Yesterday I activated my free month of Amazon Prime to take in Picard, the new Star Trek series. That was excellent and I especially loved the subtle Brexit reference, but that’s for another day. After that I had a look at what Amazon offered, and had Zack Snyder’s Justice League film recommended to me, but I’d found the film a mess not to mention a chore to get through when I’d seen it the only time a few years back. I thought I’d give it a few minutes to see if things had changed expecting to stop and have an early night.

And I liked it lots more than I did previously.

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Maybe some distance has passed, and although the issues still stand it really is more enjoyable than a number of other superhero films, plus it has an actual sense of a directorial vision which the Marvel films, on the whole, have lost.  Sure, the scenes shot by Joss Whedon stand out a mile, the villain is badly done, the script has gaping holes, and that CGI lip is an awful bit of work to appear in a big-budget Hollywood film.

However, the League themselves are actually interesting. Affleck’s Batman is an interesting portrayal of an older man who’d lost his way finding redemption. Gal Gadot’s Wonder Woman is the standout star character of the DCEU and should be its bedrock as Iron Man was for Marvel. While Jason Mamoa’s Aquaman and Ezra Miller’s Flash have a genuine spark on screen. Hell, even Cyborg seemed less tokenistic this time round.  The big loser here is Henry Cavill and his Clark Kent/Kal El/Superman as once he’s allowed to play Superman not as a brooding Emo type, but actually as Superman, he’s a revelation.

It’s a flawed experiment and yes, I’d be interested in seeing what a full ‘Snyder cut’ would look like because again, there’s a bland generic quality creeping in to the point you couldn’t tell who directed one Marvel film to another. With this it is pretty clear it’s Snyder’s vision. You may not like it, but there’s a clear vision which makes the Whedon footage clash so badly, and also, there’s a bit of irony as the Marvel template is based on what Whedon did with the first two Avengers films.

It is unlikely DC/Warners will do a Justice League film again in some time, which  is a shame as it’d be good to see this group together again but in a film free of studio meddling.

But there you go, I never thought I’d write any of that but it shows opinions do change…

RIP Terry Jones

Back in the 1970’s I was but a wee boy, and like many folk back then, a Monty Python fan. When hearing that Michael Palin and Terry Jones had made their own series, Ripping Yarns, like many youthful fanboys I was aside myself and to this day I adore every single one of them but Golden Gordon is by far my favourite.

Palin and Jones were their own team within Python, and out of all the groupings that came out of Python these two were the best and the funniest because Palin was just a brilliant performer, while Jones timed the comedy in those episodes to perfection. They were very British, very English bits of humour that now, sadly, will be lost to people because the reference for these stories (pulp magazines and British boys comics) are not part of your average Millenial’s cultural wardrobe.

Jones was never the standout in Python for me when I was younger. It was John Cleese but as I got older and older I’d notice what Jones was doing as well as his sheer comic bravery in getting a laugh with this being one of my favourite Python sketches ever.

Something then dawned on me watching this for the 1000th time, in that if I imagine Python to have a voice, then it sounds like Terry Jones. Not Eric Idle, Cleese or anyone else. Even now if you’re riffing off Python then it’s his voice you’ll be using.

And then I started growing up, latching onto the alternatic comedy boom of the 80s which washed all before it, except for Terry Jones who stamped his approval upon things wonderfully.

And that was it. Jones was my favoutite Python which made his descent into dementia so horrible to see his mind go but his friends stood by him all the way. There’s a point if the DVD of the O2 shows from 2014 where Jones is clearly distressed and confused backstage, but all of them form a shield to protect and to encourage him. It’s a small, tiny moment but it shows you what he meant to his friends, and now, it’s a sad moment because we know this is him slipping away but still able to cling on thanks to his mates.

I’ll miss Jones. He was always fun, always entertaining and always it seems, right. Like everyone it seems I’ll miss knowing he’s not around to make the world that wee bit of a better place a lot.

Watch this Blade Runner convention reel from 1982

Blade Runner is one of my favourite films. Even if the UK poster is one of the worst posters you’ll ever see.

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In the early 80’s fandom was nothing like the organised beast it is today. Film companies knew enough back then though that keeping fans informed and happy would, hopefully, result in box office gold. Early efforts consisted of a few clips and some posters, maybe even an actor from the film would turn up and sell the film hard.

In 1982 I was a wee boy at one of Glasgow’s then annual science fiction conventions, Faircon, and one of the unsuspected highlights was a promotion by the film company for Blade Runner.  They gave away posters and badges, which are all now sadly lost throughout the years and yes, they’d be worth silly money now but the real highlight was a promo reel for the film which looked amazing.

I haven’t seen or even thought about it for nearly 40 years when looking at YouTube after the death of Syd Mead. It really is a great bit of archive not to mention it brings back al the nostalgia of being stupidly young and watching this all those decades ago.

Cancel culture and Contrapoints

This is going to involve a lot of backstory, so start at the top.

Cancel culture is a thing. To shorten it as much as possible, it’s described on Wikipedia as this;

cancel culture, describes a form of boycott in which someone (usually a celebrity) who has shared a questionable or unpopular opinion, or has had behavior in their past that is perceived to be either offensive or problematic called out on social media is “canceled“; they are completely boycotted

This has been around basically forever but in the age of social media where people live within their echo chambers where one has to be 100% pure ‘canceling’ someone can be weaponised to people even within their own community who’ve done incredible amount of work to make things better, or to make the case for these people. It’s one thing to say, cancel Harvey Weinstein and ostracise him, but it’s another to ‘cancel’ someone with a different opinion or opposing view. That’s where it becomes controlling, censorious and even cultish as the political and moral point being made is that a voice/opinion challenges their worldview so much the person must not just be expelled, but they, and even their friends, must be destroyed.

Which brings me to Contrapoints.

Contrapoints is a YouTube channel run by Natalie Wynn. It’s partly about her transition which has been very public, but it’s one of the few interesting leftish American YouTube channels as Wynn throws around ideas, and yes, sometimes finds the American left somewhat lacking. She also has spent most of her time online tacking the far right who have been attacking her pretty much constantly so she’s used to being attacked online, the pile-ons and all the usual crap one expects from the far right.

As her videos rack up millions of views, Wynn makes a good amount of money from them. Not enough to retire, but enough to do what she wants so ‘canceling’ her hits her directly in the pocket, which is what the far-right have tried to do, but what would prompt those supposedly of the left to attack her, and attack her friends in a manner so viciously that she was driven off social media.

And this is where you need to go watch Wynn’s last video and watch til the end…

There’s a lot to take in there. The main facts are that Wynn said something which upset a section of supposed ‘progresives’, she apologised where appropiate but made their case because views aren’t illegal because you disagree with them. I disagree with a chunk of what Wynn says but at the same time I’ve learned from them because unless you’re an out and out Nazi you don’t get your opinions silenced because it might upset people.

And what’s remarkable is at the end of the video Wynn outlines what the reaction to her feature length essay will be almost perfectly. The reaction was vicious and to repeat, didn’t just target Wynn, but her friends but this is not uncommon as this happens to someone it seems daily at least as they’ve committed some thought-crime against a section of people who will not budge. We live in an age where everyone is policing someone, and acting as judge, jury and supposed executioner as some of the threats Wynn and people like her get are terrifying.

It is as David Baddiel says:

There are many types of trolls, but they fall into two basic (and much overlapping) types: those who hate from a position of hate and those who hate from a position of self-assumed goodness. We tend to think of them, in the caricature, mainly as the former, as basement-dwelling incels angrily spattering the internet with abuse for lolz, but it is actually the latter who are far more prevalent and significant. No one has ever been cancelled by the former; you can’t be erased and destroyed by punks, but you very much can by furies, mobilising to take you down in the name of right.

What happens is people pick a tribe, and rather try to seek solidarity with others or find commong ground by listening to others we have an urge for purity that’d scare anyone. Overwhelmingly it is women being subjected to this, though men and transwomen like Wynn suffer huge levels of abuse, doxing and worse thanks to how social media has weaponised politics, identity and culture in a way the days of the early internet where we interacted on moderated message boards. Now with nothing to stop us there’s unrestricted blind hate being spat out all the time at people followed by ‘cancelling’ people which means destroying as much of someone’s life as you can legally.

We live on a ‘planet of cops‘ in a world Orwell warned us about. Where someone can be ostracised partly by people within the same community as them but without any understanding of their positon or show of solidarity. It must be purity and if there’s no purity then people must be cleansed until there’s nobody left because the thing is with these people they will find ‘fault’ anywhere because one doesn’t find reason when we’re in a witchunt.

I have no idea where this ends but it won’t end well if we end up being ruled by people on hairtriggers policing your entire life online reducing privacy, free speech and debate to nothing. Because if they can come after someone like Natalie Wynn, they can come after anyone.

What I thought of Crisis on Infinite Earths

Imagine trying to do Avengers: Endgame on a budget akin to Scarlet Johansen’s hairdresser? That’ll be the CW’s version of Marv Wolfman and George Perez’s comic Crisis on Infinite Earths.

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A five-part series designed to partly clean up issues with the CW’s Arrowverse and to act as this year’s big crossover event to end all events. Overall it manages to just hold together, and just work though the problem as usual with the Arrowverse programmes is the budget holds back the ambition so what should be a cosmic level event (something Marvel have shied off adapting fully as yet) comes over as sometimes small, and in the case of episode two, slow and stretched.

The other problem is that when it needs action we get exposition, or worse, exposition from people standing round the set looking a bit stiff. However the producers clearly love the source material, and they clearly love what they’re doing so for all the multiple flaws they manage just about to live up to this fan made poster from a few years back.

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Crisis works because they realise the entire thing is daft, and they know that superhero comics are essentially melodramas so they embrace that, so we have all the usual aspects of a CW show mixed with these overaught moments of superhero comics, mixed with possibly the biggest, and first, comic book mega-crossover.

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They manage to tie every DC TV series to the Arrowverse bar Lynda Carter’s Wonder Woman series and the Shazam! series from the 70’s due mainly to the reason that Warners have successful film versions but remarkably, everything else did make an appearance from the Titans, to Tom Welling from Smallville, Brandon Routh reprising his role as Superman which means the Christopher Reeve films are canon, through to the surprise cameo of Ezra Miller as the DC film version of The Flash.

I enjoyed the entire crossover a lot, with that Miller cameo especially making me like Miller’s depiction of my favourite superhero more than I did. Yeah, some of it is awful, cheap and badly acted/written at times but this is soap opera and it’s also great entertainment which has the good guys beating the baddies which in 2020 is a great message to send out.

My last fanboy wish would be they repay the cameo and bring in the TV Flash for the film due sometime in the next few years, but that can’t happen can it?

About the Resident Evil 3 remake trailer

The first three Resident Evil games are works of modern art. The remakes are extraordinary in they manage to capture the joy of the original games, and in some cases even improve what went before. Last year we saw Resident Evil 2 come out in a spectacular way as a remake and although the third game was obviously going to be remade nobody really expected it a year later.

But here it is. I shall be looking forward what they do as this trailer looks fantastic.