I haven’t done what I said I’d do in my last update as real life has dragged me down, plus a trip to Cardiff last weekend to discuss the next stage of the Cunning Plan left me broken and hungover but it’s coming along well. I will do the Glasgow Comic Art Convention blog next if only to finish it and release it in the wild.
I intend to do another few Glastonbury blogs before this year’s festival, or at least get the timeline up to the year 2000 so I can make a huge moan about the gentrification of the festival and make myself seem edgy and stuff. I also want to do a couple of very personal ones which may, or may not be as open as they could be depending upon how I feel and how explicit I want to make them. No, it’s not going to be Confessions of a Former Comic Book Dealer, though that’s an idea in itself, but it’s a bit Glasgow related so we’ll see how the mood takes me….
This week has been mainly made up of working, sleeping and watching V/H/S 2 which is obviously a sequel to V/H/S, an anthology horror film I really liked apart from one segment which was rubbish, but with the first one it was the first segment, Amateur Night which stood out a mile just for the sheer insanity of it all.
The sequel isn’t frankly anywhere near as good. The first segment owes an awful lot to films like The Hand, but relies far too much on basic jump scares including at least two or three which seem lifted directly from the excellent Ghostwatch including using this scare several times..
The second segment is a fun little thing about a man’s first and last day as a zombie, and the final segment is a load of fun featuring aliens and lots of scary jumps. It’s all pretty ok and ordinary.
That is of course missing out the third segment, Safe Haven, from the the film. This part is made by the same people who did the frankly mental The Raid and if you’ve seen that then you get an idea that Safe Haven might not be a quiet bit of horror.
It’s not. It’s also the only one that uses the found footage/mockumentary format to another level and shows there’s some serious legs in the format if a filmmaker puts their mind to it. At this point it’s unfair to say anything else because you need to see this as unaware as possible because when it kicks into gear after about ten minutes of set-up it doesn’t relent with one extreme image following another and then another and then another….
It batters you into submission while it invites you in on the joke without insulting the audience as parts of the first segment does. It’s one of the few times I’ve seen an anthology horror film and wanted a segment to be much, much longer if only to see how much further they could push the horror, not to mention the very, very dark comedy running throughout the segment.
Basically, it’s the redeeming feature in an average film and makes an average film a bloody good one and I use the word ‘bloody’ quite literally. It’s a quite remarkable section in the film but not one to watch if you’re a pregnant woman, or at all squeamish…
And with that quickie review, it’s off to an early night as work beckons and I need sleep to dream of the future…….