1970’s Marvel comics are a source of joy and derision. Sometimes both. One of those titles I’ve grown fonder of over the years is Marvel Two In One, one of those titles Marvel, and DC, published where a ‘big name character’ (Spider-Man, Batman, Superman) would team up with another hero in normally, a one-off adventure. Marvel Two In One featured the Fantastic Four’s Thing, a bit of an oddity as although the Fantastic Four sold well in the early 70’s, the idea of sticking The Thing as the ongoing character in a team-up book today seems daft.
These titles also allowed new writers to play around; in this case Steve Gerber was allowed to play with Marvel’s characters and in this issue he throws in Mr. Fantastic as well as Daredevil and the Black Widow.
These comics tended to follow a certain formula. Something would happen to bring our heroes together, they’d argue/fight and then team up to fight the main villain and the story would be wrapped up in 20-24 pages. In this case Daredevil wants his billy club back.
At this point Marvel was building its universe up to the point where any comic would reference any number of other Marvel titles.
This however is a Steve Gerber comic. This means after the soap opera superheroics we get a large chunk of political content which looks amazing even today.
Then it gets insane when Adolf Hitler pops up and he’s hip to the 70’s.
At this point The Thing and Daredevil have a sort-of-fight for the sake of a fight.
After some banter, The Thing and Daredevil team up, fight the bad guys and end up saving the Black Widow who is being controlled by the aforementioned bad guys.
There’s no end here, just a promise of continuing the plot in that month’s issue of Daredevil which seems a cheat but remember these comics were cheap. Kids had a load of disposable income and could buy all the titles they could which is at least what I used to do.
Marvel Two In One is a relic of a bygone age of fun, disposable comics, albeit one with some frankly bizarre political commentary from a writer who at this point was finding his voice as well as his feet in an industry where comics were disposable. Some good, solid Sal Buscema art makes the issue a joy of nostalgia though nothing here is overwhelmingly outstanding, just solid superhero comics that’s fun which is all that matters here.