Carlos Ezquerra passed away today. This is a loss not just personally to his family and friends as Carlos was a profoundly decent man, but to comics where in terms of influence, ability and creativity Carlos ranks up with the best so there’s a place next to Steve Ditko, Moebius and Jack Kirby as this was someone who co-created not just one classic character in Judge Dredd, but two in Strontium Dog.
Carlos was one of those Spanish artists in the 1970’s that IPC would use because he was quick and cheap, but he had a style unlike many of the older artists who were sometimes elegant, and smooth. Carlos’s art was heavy blacks and sketchy lines which made his work, well, edgy to pre-teen boys like myself who found his Major Easy character the entrance to his work.
And of course, his Action cover which wasn’t just as Punk as fuck in 1976, but it also helped the comic get banned.
However the minute you saw his splash page for the then new Judge Dredd strip in the new 2000AD in 1977, you knew you were seeing a talent erupt.
That one page still sums up what Judge Dredd is. Dredd is a fascist keeping law in a spectacular future city which doesn’t look like a dystopia, but is very much one because there’s cameras watching your every move when the Judges aren’t. Even in the design Carlos makes clear what Dredd is by slipping in symbols of fascism he lived with in the Spain of the fascist Franco.
Thanks to scripts from co-creator John Wagner, not to mention Pat Mills and Alan Grant, Dredd’s fascism wasn’t just a thing of black and white as weekly the Dredd strip ensured kids around the UK were exposed to intellectually and moral grey areas which for me hit a height with the superb Apocalypse War. Dredd’s Mega City One and the remnants of the Soviets battle it out with the spectre of nuclear destruction being there on the page at all times as the reader battled with the prospect of real life nuclear destruction.
Carlos didn’t just work on Dredd; as said, he co-created Strontium Dog, but he also drew covers and strips at an enormous rate never dipping in quality and we as readers probably took his work for granted as he was consistent.
By the 90’s Carlos saw Dredd on film, which we’ll draw a line under however he was now working in American comics mainly working with Garth Ennis and getting the sort of credit and recognition outwith of the UK and Europe he deserved while still working and producing lush work. In more recent years his son was helping him as he struggled with poor health thanks to cancer, and only a week or so ago was posting on his Facebook that he’d come out of a major operation and was in recovery. Sadly he lost this last fight and passed away at 70.
He is irreplaceable. There is nobody out there able to do what he did.I met him a few times at various comic conventions over the decades and he was always charming, if somewhat overawed that his work is so appreciated and loved but this is a man who saw his work shape lives, and culture, so he’ll be missed for the artist, and human being, he was.