Spider-Man: Far From Home acts as a coda to Avengers: Endgame and the first decade of the Marvel Cinematic Universe as a whole while throwing out seeds for the next phase of the MCU. It is also a film that messes with the characters of Spider-Man and Peter Parker, and not for the best either.
From here on in lie SPOILERS. You’ve been warned.
The film takes place shortly after Endgame where the world is still reacting to the death of Tony Stark (less so the Black Widow) and the return of half the life in the universe after five years. The problem lies with the return of people who’ve been essentially dead for half a decade suddenly returned to life to deal with the people who survived. A Spidey film could have been the perfect place to deal with the angst of this through Peter Parker; a comic character who is angst himself but instead we get a few gags as Peter and his pals (who all happened to be main or secondary cast members who died during the Snap) go on a jolly to Europe.
I get the idea to give Peter and co a break as a plot tool to show how the world (well, Europe) has changed but while on holiday Peter is contacted by Nick Fury who has hooked up with Mysterio (Jake Gyllenhall having enormous fun), a self-proclaimed hero from another reality who snuck through chasing four elementals after the Snap. At this point Peter is mourning Tony Stark and is vulnerable to another role model entering his life to dish out helpful lessons in life.
The problem is that the very essence of Spider-Man/Peter Parker is that he’s learned his main lesson in life that great power comes with great responsibility due to his selfishness causing Uncle Ben (the man who raised him as his own son) being murdered. Now we don’t need to see Ben die yet again on screen but in every version of Spidey out there this is the core of who he is, even the Ultimate version written by Brian Bendis on which this version is largely based. Up to now things have worked with Peter desperate for a father figure in Tony Stark and carrying on his lesson learned from Ben’s death but here Peter is a lovesick arsehole doing silly things to prove himself to MJ and Mysterio who he barely knows.
Nobody is fleshed out. Nobody has sensible motivations. Mysterio is yet another bitter villain who just wants revenge on Tony Stark, or on his legacy, while Peter and MJ’s relationship feels rushed and unearned even though Tom Holland and Zendaya work their arses off to make the best of what they’re working with.
Far From Home isn’t a bad film. It’s a summer blockbuster that is fun and entertaining but the script is a road accident as it feels like it took a desperately quick rewrite after Endgame to take that film into account, not to mention work so it sets up Phase 4. Plot overtakes story and characterisationas these films are made on a production line. That’s one reason why most recent MCU films use a load of green screen work which makes scenes look cheap and rushed. However ignoring the character of Uncle Ben changes Spidey. It takes the guilt and self-loathing (in those Ditko/Lee strips Peter not only hates himself but is often a pretty unlikeable bit of work) out of Peter Parker and replaces it with a whining stupidity that ends up with Peter giving Mysterio the key to Stark’s technology because Peter here is an idiot.
Which is a shame. Tom Holland is a perfect cross between the John Romita and Ultimate era Spidey. He’s a good actor who will clearly be the new cornerstone of the MCU in the decade to come and will hopefully have better to work with in the future but Far From Home feels rushed and more interested in the overall arc of the MCU than telling a great Spidey story.