RIP Denny O’Neil

When I first started reading American comics few writer’s names stuck with me. Of course there was Stan Lee, but as someone who was more into DC Comics at the time really there was Gardner Fox and Denny O’Neil. I don’t really know why O’Neil became the first writer I made an effort to follow but in thinking of it, I can trace it back to his run on the Justice League of America and this issue.Partly because I loved The Creeper but mainly because it was a great read.

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It wasn’t a massive run but it helped drag the JLA from a fun wee comic to something more aking to what Marvel were doing. Today it’d be called a reboot. Whatever, it was just a great comic, and run, which made me notice O’Neil’s name at a time when you’re more likely to notice an artists name. And it was with an artist O’Neil was to be forever linked with because of their amazing work on Gree Lantern/Green Arrow and Batman. In both cases, characters are rebooted, made gritter to reflect the times of the late 1960’s, early 1970’s.

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His and Neal Adams reboot of Batman, his cast of characters and especially The Joker, became the default depiction of Batman up til Frank Miller’s version dominated from around 1986 onwards.

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He also rebooted Superman, and Wonder Woman, effectively dragging a number of DC’s core titles out of the early 60’s pre-JFK assassination times they were trapped in. Unlike some of his peers, O’Neil’s quality of work into the 80’s didn’t drop and in fact in some cases improved, especially his work on The Question which is a title often forgotten about when discussing the revival of the medium in that time.

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I could spend weeks going through how O’Neil’s shaped my appreciation for the comics medium. As writer, then editor he’s guided a number of creators through who later became giants in the medium, which to be honest few people can claim to have ever done. The entire size of his footprint on the industry is so large we’ll never see the true scale of it because being a creator in this industry and staying relevant in some shape or form for five decades won’t be repeated. He’ll be hugely missed.

 

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