A decade ago Cloverfield came out having had one of the best marketing campaigns for a film I’ve ever seen having built up an air of mystery about a film which was and is, something hard to achieve. I love the first film because it is the giant monster film I’ve had in my head since being a teenager, and although its sequel 10 Cloverfield Lane is patchy, it works as a claustrophobic thriller before the end gubbins. A third film has been coming which was originally promised last year, and was expected in the spring before suddenly dropping after the Superbowl on Netflix worldwide.
From here on in lies SPOILERS. You’ve been warned!
Directed by Julius Onah and starring Gugu Mbatha-Raw who has fully recovered from having Bonekickers on her C.V and here frankly holds the entire thing together which is good because at times The Cloverfield Paradox is a tedious mess of technobabble and stuff we’ve seen in the likes of Event Horizon.
Mbatha-Raw plays Ava, an astronaut on Cloverfield Station in orbit round an Earth dying through a lack of energy resources which amount in this film to some blackouts not to mention the world’s superpowers squaring off against each other. The station is the one last chance to solve Earth’s problems peacefully as the multinational crew use an experimental particle accelerator to create unlimited free energy for the planet. As you’d expect, something goes wrong and the crew find themselves stranded having lost Earth with increasingly strange happenings occurring on the station.
The plot is pretty routine but the script is appalling. Characters spout clichés, or when faced with horror make quips that sap the scene of any tension. There’s one scene especially with Chris O’Dowd’s character that could have been a highlight of creepy body horror but ends up played for giggles then there’s the climatic fight scene that is welded on badly to the end. This for me is the problem with The Cloverfield Paradox in that is doesn’t know what it’s trying to be and I’ll be blunt, Life trod this sort of ground pretty recently and better. It does manage to explain the events of the two previous films, and I assume future films as there’s at least one more Cloverfield film coming in the next year but take the Cloverfield name and the last 90 seconds off this film and it really is the sort of film you’d watch on Netflix if there was nothing left on your list. The last 60 seconds do lift the film and make it worthwhile though it teases the prospect of a sequel that should be made but probably won’t be.
What is interesting is how Netflix and Abrams decided to release this. It could have had a release in cinemas and made a decent amount of money, but releasing it this way without any notice on Netflix suggests this is an experiment. If this film is deemed successful (and it will be as the Cloverfield name, and the last 60 seconds guarantee it) then we’re likely to see more films dropping with no notice and that would be a good thing. After all it means then that at least for a day or two we’ll be forced to make our own minds up but hopefully if this sort of thing is done again it’s done better than this.