The return of Twin Peaks came to a conclusion this week and to say people are polarised is, well, a massive fucking understatement. Trawl the internet and you’ll find people praising it or decrying it in around equal numbers, but the agreement is that nobody actually knows what the series actually meant, but watching the final two episodes something clicked in my brain: A DC Comics series from 1985 has a hint as to how to understand what David Lynch and Mark Frost have done here.
From here on in lies spoilers. Be warned.
Crisis on Infinite Earths was a DC Comics mini-series designed to tidy up DC’s convoluted continuity that had built up over the decades, and to destroy all the multiple Earths into one. Central at the core is the idea of parallel Earths separated only by ”vibrational frequency”. These different realities all had an Earth where something is different, or history developed differently, or even history moved at a slower, or faster, rate than ‘our’ Earth. Basically the idea of parallel worlds is a tried and familiar concept in science fiction and Lynch and Frost are playing with these concepts so remember that what we’re seeing is a story being told. Sounds obvious but there’s a point where certain characters in season three become aware they’re in a story and I’ll get to that point in a minute.
In the Twin Peaks finale, Dale Cooper travelled back in time to the point where Laura Palmer was murdered and stopped it and in doing so created a parallel world where Laura never died.
Cooper creates a doppleganger Earth by his actions and remember, we’ve been told all series this is about doubles and duplicates, and not just that. From the opening shot it becomes clear we’re watching something that isn’t just not in chronological order, as this scene could easily slot into any of the final two episodes.
The series has always played with dopplegangers and played scenes that could be from any time in the character’s lives.
However the opening scene of season three sets out the road map. Whether one can interpret it to give us a clear road map is a matter of some debate, but the story of the finale shows Cooper saving Laura Palmer ensuring she’s never murdered and everything that comes after that event changes.
But ‘Judy’ is still around even though BOB is destroyed so Cooper’s job isn’t over so he and Diane travel to another world where they become Richard and Linda. Cooper changes to become a strange hybrid of himself, Dark Coop and Dougie Jones even though he’s still doing his mission which is to find Laura, something he eventually does except she’s not Laura, she’s ‘Carrie Page’, but even in this reality she’s corrupted (Laura was created in Episode 8 to be the opposite of BOB) by violence but she’s still alive.
By the time we get to the final shot it’s clear the evil of ‘Judy’ can never be escaped as ‘Carrie Page’ remembers who she is and what was done to her.
The reality Cooper and ‘Carrie’ are in could well be ours, or it could be a dream within a dream as alternate realities open up where Laura is brutally murdered, only to be saved by Cooper who is then thwarted by the ultimate evil, ‘Judy’ in an never ending cycle of evil defeating good as they move from one Earth through the frequencies forever. Cooper can never win. Laura will always die. Evil will always win but good (in the shape of Cooper) will always fight it. The End.
Of course this is one theory and anyone with half a brain can work out a way for this to carry into a season 4, but if Lynch and Frost want to end on a grim, scary but oddly positive note (good will never give up fighting) then this is it. If they want to carry on there’s enough for them to come back and carry on telling their story, but part of me would like it to end now with the mysteries (and there’s enough to fill dozens of blogs) continued. Twin Peaks season 3 is a unique piece of television that challenged the very act of watching television and as such making more of it challenges the point of it so I’d like it to end with all these loose threads dangling forever.