What I thought of Twin Peaks episodes 1-4

Twin Peaks has returned to an utter lack of advance knowledge of what happens in it, and this frankly is the best way to approach this new series so massive great honking SPOILER WARNINGS from now on. Also, if you haven’t seen the TV series you’ll be totally lost here. If you’ve not seen Twin Peaks: Fire Walk With Me then go see that as this draws upon a lot of that film, including even the deleted scenes. Basically go consume everything Twin Peaks before seeing this. Also it may be an idea to watch Lynch’s films too, even Dune as there’s visual references to all of Lynch’s previous works going on here. So, if you’ve done that crack on…

First up anyone who comes to this expecting quirky humour and weird, but still funny, characters will suffer a serious shock as the first two hours especially owe less to what people mainly think Twin Peaks is (quirky, funny, charming, sometimes scary, weird) to David Lynch unleashing his full creative forces. There are moments in the first two episodes especially that are some of the best images Lynch has even put on screen but there’s a lot of times when you the viewer will be made uncomfortable, and this is a good thing.

Far too many programmes end up pandering to keep viewers happy. There’s nothing of what one would expect of a Twin Peaks revival til near the end of the second episode, and the fourth episode features the sort of scenes (Andy and Lucy provide much of the fun quirkiness here) you may expect. Mainly though you’ll be bombarded with confusing, disturbing and sometimes grotesque images that actually helps tell what is a complex story.

The jist of that story is that Good Agent Cooper has been trapped in the Black Lodge for 25 years until Laura Palmer appears again to him as promised.

In the world outwith the Black Lodge, our world, the Bad Agent Cooper is doing bad things as this is Cooper’s doppelgänger inhabited by the evil Bob at the end of the TV series.

Evil Cooper involves Kyle MacLachlan wearing a dodgy wig while doing seriously vicious things to people, and here’s another thing (and I hate using the term ‘political correctness’) this is not a programme that restricts itself to current moralities. This is a programme where Evil Cooper is amoral and brutal, where middle aged men leer after younger women and where oddness abounds. It’s designed at times to challenge you and it will because we’re used to a level of sanitisation in our television but that’s not going in here and this is a good thing. We’re not seeing a toned down or restrained Twin Peaks here, we’re seeing something that will delight, astound, shock and scare you as much as the visuals and sound (I recommend watching this on earphones as the sound mix/design is amazing) is stunning.

The opening episodes deal with Good Cooper’s escape from the surreal world of the Black Lodge, Bad Cooper’s murderous plans, the slow introduction back into the community of Twin Peaks, and the FBI being involved which means a welcome return for some old faces. The plot hinges on Lynch’s fascination with duality and multiple personalities as well as the idea that evil can be a real force which in this case in Bad Cooper. I won’t bother explaining the rest of the plot beyond that as frankly, we’re only seeing part of it right now and the main jist is just what I’ve said. I won’t go into the nightmare monsters, or episode three’s brilliantly incomprehensible scenes, or the fact a plot point hinges on the words ”blue rose” which only makes sense if you’ve watched Fire Walk With Me, or the fun little cameos that pop up or even the fact there’s more Cooper doppelgängers than just Good and Bad Cooper.

What is brilliant is the pace in which Lynch and Mark Frost slowly unwind the threads of the plot and the pacing (unlike many programmes today) is at times, glacial but this isn’t something to forward through. This is about building up the creeping sense of unease in these scenes.

Twin Peaks is a welcome return. It gives Lynch a chance to create one huge story and hopefully resolve it in a way that suits him and Frost but it may not suit us which is fine by me. In an age where TV programmes are made to ensure fans are not frightened off, the new Twin Peaks isn’t scared to go onto ground that will scare people off but this is art mixed with horror mixed with so many genres that it can only be described as Lynchian and that’s a glorious thing…

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The welcome return of Twin Peaks

Tonight in the US is the very welcome return of David Lynch’s and Mark Frost’s Twin Peaks. The last Twin Peaks was the horribly underrated, and undervalued Twin Peaks: Fire Walk With Me in 1992, so we’re now 25 years on with the programme returning on Showtime in the US for 18 episodes. That’s 18 hours of television directed by David Lynch.

This is something that’s being amazingly hyped but let’s not forget that from the moment the TV series revealed who killed Laura Palmer, the critical and audience reaction turned increasingly negative, even hostile as the series frankly fell up it’s own are for a chunk of the second year before David Lynch returned for the final episode which is still a unique piece of American television.

A lot of people say that Twin Peaks redefined where Lynch’s career went, and indeed, there’s a lot to that. as after Twin Peaks Lynch focused on the subject of duality in everything he did afterwards. Even The Straight Story has a Twin Peaks feel as it deals with small town lives in a naturalistic, but detached way and here we are now awaiting to see what Lynch does. Lynch hasn’t made a film since Inland Empire, in 2006. That’s eleven years but i can’t remember anything with this sort of anticipation barring maybe the 2005 return of Doctor Who.

So why the change in heart? Why are people who were hostile to Twin Peaks in 1992 onwards suddenly so hyped for when most of the last 25 years Twin Peaks has been at best, a cult.

Barring the fact a new audience discovered the programme through repeats and DVD, Twin Peaks holds a place in history for being the programme that broke the format of American episodic TV, not to mention in pushing the limits of what can be done in TV in America. No Twin Peaks, no X Files, no Millennium, no NCIS, no Hannibal, nothing. Things may well have taken a very different path if Twin Peaks hadn’t happened and I think people who were harsh on it now realise that. They know the last 25 years of television owes much to it and it’s return is a sense of squaring a circle which knowing Lynch will be something that literally happens in this new series.

But let’s not forget how good the series was. There’s a lot to live up to, and the series in my mind has one of the (still) most terrifying scenes I’ve seen on an American TV series with (SPOILERS) Maddy’s murder.

This strain of outright horrific nastiness carried on into Fire Walk With Me, and I hope carries on to this new series. Not because I’m especially vicious (or am I??) but because Twin Peaks worked well when it had these parts which were deeply, deeply disturbing beyond the odd quirkiness that most of the series had. That tone hid the darker side, and this return hopefully scares the living shite out of me.

Most of all though I want it to surprise me. I want it to be familiar and different. I don’t want Lynch to play it safe. I want him to lure me in then pummel me around the head in such a way that I’m scared of turning out the lights. See, far too many revivals sink into a confused mess (see the aforementioned Doctor Who) as it ends up pandering purely to fans who want things spoon-fed to them. I think if anyone is going to avoid that it’ll be David Lynch so I look forward to firing up my Magic Crystal Set tomorrow and viewing the new Twin Peaks

Watch the Mullholland Drive unaired TV pilot

Mulllholland Drive is one of the best films of this century and arguably David Lynch’s best film. With the return of Twin Peaks in May, it’s worth looking back at what Mullholland Drive as before the film which was a TV pilot which was never broadcast but one of the great things about the internet is that very little stays hidden from it. The unbroadcast pilot is on YouTube and it’s a very odd affair if you’re familiar with the film as although much of it makes up most of the first half of the film there’s enough differences to make this a very essential bit of viewing for Lynch fans.

The Cyrusgeddon Hits!

For those of you who have avoided social media today, Miley Cyrus has exploded the internet after a performance which is one of those things you cannot, ever unsee once you’ve seen it. I would link to a Youtube video of it but they’re being taken down as fast as they go up so I’m sure everyone reading this can work out how to search for it on there.

As far as embarrassing performances go it’s up there with with some of the best over the years, and the reactions to it from people there on the night is something worth watching.

However as awfully career destroying as it was it’s Cyrus that’s getting the majority of the flak when her fellow performer, Robin Thicke (who it has to be said seems to be, and acts like a complete arsehole) rubbing his Beetlejuice styled crotch against  Cyrus’s arse and generally coming across like  the creepy bloke you see in pubs or clubs buying young girls drinks and talking about how he really likes One Direction too while wearing a suit too tight and smelling of Pagan Man.

The thing is with things like this is that people like Cyrus and Thicke (so aptly named) look at the likes of Lady Gaga or Prince, and think ‘oooo, that looks a piece of piss, let’s do something like that to whip up controversy so we can sell more crap to wankers!’

And it’s worked. Cyrus might be setting the internet alight with memes popping up everywhere, and doing this type of performance was clearly designed to work one way or another. It’s going to sell to wankers. That’s the point. This wasn’t a Lady Gaga pseudo-art performance, but one designed to get people going ‘just what is the problem with her tongue?’ while downloading her album, or writing articles about it or even being daft enough to write a blog about it.

Oh…..

Before I get my coat, I do have to point out that it’s all David Lynch’s fault…….