I mentioned in an early blog post about the Eisnercon, and went into detail about GLASCAC but haven’t said anything about the first real comic convention Glasgow held in 1986. This isn’t to say Glasgow didn’t have large comic related events, it did, but they were either the large Marts that the comic shop, AKA organised, or the signing sessions held at AKA featuring a lot of the rising British talent of the time but there wasn’t the big convention of the type we’d be familiar with today.
By the mid-80’s Glasgow was well established for holding regular SF conventions with Albacon being the regular one held over a weekend during Glasgow’s Fair Fortnight, which grew out of the original Faircon which is (and will be) a blog in itself. Anyhow the idea from John McShane, Pete Root and the others at AKA was to organise a large 3-day convention along the same lines as what was being done with SF conventions and to have a full programme of events, dealers room, film room (ended up being a video room but more on this later) and of course, a bar which would never, ever close unless it ran out of beer.
The convention was to be in the Central Hotel in Glasgow mainly because this is where the SF conventions had made a home so the management and staff were used to working with such events and that it was a cheapish, good central location. It also helped reduce the risks as although comic conventions were fairly common and frequent south of the border they also fell quickly by the wayside in a lot of cases, so a good location was paramount as was a good guest list which could be counted on with AKA’s connections but the convention needed an American guest for credibility and it got Will Eisner.
I’m going to have to make a confession here that I vaguely knew Eisner because of The Spirit, and his influence upon Frank Miller’s work but I really didn’t know much else even though I was by now firmly embedded in AKA and John McShane and several other customers adored his work. I was moving away from being a superhero reader only thanks to titles like Love & Rockets but it was still early days however this convention would change a lot of my reading habits forever.
John had managed to get Eisner as the main guest along with Marv Wolfman who was still riding high from Crisis on Infinite Earths, while we had Bryan Talbot as the main British guest along with a couple of dozen others including Alan Davis, Alan Moore, and Alan Grant. This was a huge deal getting someone of Eisner’s stature and the British guest list would still pack out halls today so anticupation was huge.
One day sitting around AKA various jobs were being bandied around so people could do them and I fancied my hand at doing the film room, but unfortunately we couldn’t afford getting a projectors, films and paying for them, so we downscaled to a video room. One of AKA’s customers was a chap by the name of Hugh Campbell who used to do a nice wee fanzine called Fusion. Yes, this is a Grant Morrison cover of Kid Marvelman…
It also used to be printed and assembled in the back shop of AKA and I did one issue, #5 I think, but it was a splendid fanzine which Hugh did a great job with. Hugh also had an amazing collection of VHS videos, including some pre Video Nasty versions of films which instantly appealed to the gorehound that I was back in those days, but the idea was to get a programme to appeal to everyone & to run it really late, or indeed all night, which meant people could kip in the room overnight. The Central were amazingly accommodating and to this day I’m amazed at the stuff they let pass during the conventions they had there.
We publicised the convention in the shop, not to mention the other shops in Glasgow and Edinburgh, plus in the comic press and anywhere we could. Expectations were high and we’d tried to make it as affordable as possible, but advanced numbers weren’t what everyone hoped but there was still the will with everyone involved with AKA to make it work, plus we didn’t know what would happen on the weekend itself.
By the time the weekend came I’d got around 40-50 films from Hugh and built up a programme which I thought would go down well with things like the Superman films, Blade Runner, and of course, a few Video Nasties. I’d also got myself a few minions to help and to allow me to dive out to the bar.
If all this sounds fun can I point out that organising convention can be fun but it’s also extraordinary hard work, not to mention that if something fucks up (as it did) then you’re held responsible and people will delight in telling you that but thankfully the convention came and went along it’s way quite smoothly considering that we were all utterly and totally blagging it as running a 3-day con with all it entails is an entirely different beast to running a mart.
As for Will Eisner he was a complete gentleman who had time for everyone including the tosser who thought he could tell him about perspective! How can some spotty faced wee wanker tell the man who drew this about perspective?!
The video room was going well with the odd technical problem being dealt with as and when but I’d worked out that if I put really long films on in the evening then it’d give me time to grab some food, or a drink or get my head down for an hour or so. There was also an incident with a young girl who became upset by a scene near the start of the film The Howling which features an extreme scene of rape which takes place on a TV screen in the background of one scene. I hadn’t thought of that incident for years til being reminded of it.
The main programme consisted of talks & a lot of Eisner doing classes in drawing which were amazing to watch as the man was a genius. I don’t really remember much else of the programme as I was busy/sleeping/drunk but what I saw was fun, but the dealers room seemed awfully thin of customers. In fact the honest truth was the entire weekend was thin on the ground when it came to attendees with a rough estimate of 300 or so people there over the 3-day event.
It didn’t make it’s money back. It may have been an artistic success but AKA couldn’t afford to bankroll another one so we fell back on signing sessions and the bigger marts and there wouldn’t be a big convention in Glasgow again til 1990.
Looking back at it I suppose you could say it was ahead of it’s time and you’d be right. Had it been held in 1988 then things would have been very different but it was influential in helping some Glasgow based creators get some connections, plus Eisner’s classes clearly influenced some people to take up drawing but it’s sadly fell down the back of the sofa of history and been forgotten about. I’d like to get more stories from it as it’s an important bit of British comics history that needs to be fleshed out, so if anyone reading this wants to add anything then feel free to contact me as I consider this very much a work in progress…