Russ Heath was one of the last surviving artists from a Golden Age of comics has died aged 91, and I guarantee you’ve all seen at least one piece of his art even if you’ve never read a comic in your life because thanks to Roy Lichtenstein’s theft of his work.
Heath worked for decades in an industry which may never have paid him well, but kept him in work which for many artists isn’t the case. The fact he barely touched superheroes choosing to draw a wide variety of genres but it is the war comic he’ll be best known for.
But is Roy Lichtenstien’s use (And by ‘use’ I mean uncredited theft) of his work that means you’ve seen a Russ Heath piece of art but you have no idea who drew it. You probably thought it was Lichtenstein. As artist Dave Gibbons points out, Lichtenstein just did bad copies of more talented people’s work but it the marketing of, and the idea that Lichtenstein ‘elevated’ junk art into something else (when in fact all the stuff that makes Lichtenstein’s work art is there from the people he’s ripping off) which rankled Heath til well into his old age.
Heath is his later years addressed this in a one-page comic for The Hero Initiative; an organisation designed to help comic creators in need.
For me it’ll be his Sgt Rock material I remember him best for.
Heath was an original that should have died a millionaire, but didn’t. Losing him means we don’t have many of the greats that formed the language of modern American comics left. He’ll be missed.
This is a cracking find. Overstreet’s World of Comics is a documentary based around the San Diego Comic Convention in 1993 and details the world of comics as they were in those days just before the great comics bubble of the early 90’s went POP! It’s a fascinating watch to see how people thought that comics were going to be a huge investment for the future, and that comics coming from the likes of Valiant were massive investments. They weren’t. The entire market went down the toilet and a number of the companies featured in this film like Topps, went under, and companies like Marvel nearly went bankrupt.
What is striking is how comic focused San Diego was then as opposed to the big pop culture event it is. It’s about the medium of comics and there’s a lovely bit in the film about Golden Age artists like Murphy Anderson, a history of EC Comics, as well as a great interview with Jack Kirby, the man who built the house that Marvel are now exploiting for their films like The Avengers and Captain America. It is however, Todd McFarlane who hogs a lot of time on the film because at that time Spawn was the biggest selling comic in the world, selling around a half a million to a million copies on average per issue. There’s a certain sad irony looking back at this seeing McFarlane talk with such idealism; something that vanished when the money started flooding in.
The film does have some amazingly tacky music running through it that makes it feel like a health and safety training video you see on the first day of a new job, If you can ignore that then this is a great bit of archive, if only to see Stan Lee say with a straight face that he hates taking from what other people have done….