Come to East Kilbride Comic Con tomorrow and buy comics…

Tomorrow is the East Kilbride Comic Con held at East Kilbride central library. It is the night before a show and I am shockingly still bagging and pricing.

So come along tomorrow and make it all worthwhile for me, and oh, as it’s Free Comic Book Day, everyone buying something gets a free comic from a mystery box while stocks last…


A quick word about the brilliance of José Luis García-López

Over the decades the world of comics have produced superstar artists from Jack Kirby to Jim Steranko to Neal Adams, John Byrne, George Perez, Brian Bolland, Jim Lee and dozens more. You rarely find the name of José Luis García-López in these lists yet artists rate him enormously & you’ll have almost certainly seen an example of his art. In fact I guarantee you’d have seen it.

García-López is essentially the artist that defined how DC Comics superheroes looked from the late 70’s to fairly recently, and having drawn countless character sheets for artist references not to mention the endless items of DC’s merchandising it is likely you’re sitting not far from a García-López piece right now.

His characters aren’t muscle-bound or cursed with infeasibly large breasts, but although hyper-realised, still look like human beings albeit somewhat fantastic in their costumes.

I especially recommend the series he drew for DC called Twilight. Written by Howard Chaykin, the series is a glorious science fiction epic that allows García-López  to indulge himself, and the covers are simply wonderful.

So go search out his work. In the last 40 years there’s few artists who’ve drawn superheroes as well as he has, and with DC stuck in their current bland ‘house style’, García-López stands as a reminder of how it could, and even should be done.

DC Comics films cheer up, Kong: Skull Island made me wet my pants and The Walking Dead cast laugh at us because of Brexit

San Diego Comic Con hit its Big Day yesterday with the infamous Hall H throwing out big presentations one after another. This is a day where people queue for up to a day beforehand to get in sleeping in each others sweat and filth in order to be within 200 metres of their heroes. If they’re lucky of course.

First up was Warner Brothers who came out like an alcoholic who’s just went clean and who wants to tell you about it. One of the rightful criticisms of Warner’s DC Comics films is they’re too dark and miserable to the point where Batman Versus Superman ended up being a masochistic exercise in misery rather than anything fun. So first up, Wonder Woman.

It looks alright, the WW1 setting is odd because that was a much more complex war to portray on screen than WW2 because you can’t just depict a complex war based upon imperialism as easily as Goodies killing Nazis. Still is does give it a different look though at some point even the most rabid fan has to deal with the fact Gal Gadot can’t act.

Next up; Justice League.

There’s more fun in the nearly three minute trailer than the entire of the aforementioned Batman Versus Superman, plus Man of Steel combined. That doesn’t make a great film though but this has got such a low starting point in terms of expectations a light, fun superhero film would be a masterpiece.

As for Suicide Squad..

I dunno, it looks fun but it also looks as if a committee of accountants have poured over every Marvel film of the last decade and come up with a film.

The main event for a Giant Monster fan like myself is Kong: Skull Island.

Godzilla was alright but far too dull in places. The Peter Jackson King Kong remake was overlong and tedious, but this promises less of a boring time at the cinema which a giant monster film shouldn’t be.

There were other film Warner Brothers presented but J.K Rowling can fuck off.

Marvel also produced loads of stuff but unlike Warners they didn’t release them directly online and that might keep the thousands of smelly, sweaty fans in Hall H happy, but it doesn’t stop piracy. Ah well, here’s the Doctor Strange trailer with Benedict Cumberbatch’s iffy American accent.

One of the things that’s clear is that the big media companies have honed how they use San Diego to their benefit which benefits those us sat on our arses thousands of miles away, but perhaps make the experience of those actually there a bit less special. However sticking most of the big panels online more or less within 24 hours of them happening means we can get to see things like the cast of The Walking Dead (well, a couple of them) taking the piss out of the UK because of Brexit.

Even people whose job is playing someone in a post apocalyptic world where mindless zombies eat people thinks Brexit is a bad idea…

So with that in mind I’m off to watch the Aliens 30th anniversary panel without smelling like a tramps old socks.

What I thought of Batman versus Superman: Dawn of Justice

batmanvsupermanquadSPOILERS AHEAD!


Think back to the time when you first had an amazing girlfriend or boyfriend when you were younger. It was fantastic for a while, but as is often the case for youthful romances the object of your dreams leaves you.

You then spend months getting over it until one day you’re in a record shop (or wherever the kids hang out these days) and you see her/him draped round the local arsehole who has all the style and class of a Happy Shopper in Stockport on a bank holiday weekend.

This is what’s happened to Superman and Batman, In this case the arsehole is Zack Snyder, who has draped himself all over DC Comics’ prime two superheroes like a 16 year old that’s discovered how to use his cock for the very first time. Batman versus Superman: Dawn of Justice is an overlong confused mess of a film that overuses the same tricks over and over again til you finally get to the end and get to emerge into the fresh air.

The plot picks up a few years after Man of Steel.Superman is sort of loved but the American government doesn’t trust him because of the whole destroying a major American city and helping kill tens of thousands of innocent people thing. We are also introduced to Ben Affleck’s Bruce Wayne/Batman who has a massive amount of dream sequences because the plot for this and future DC Universe films need him to have them because the writers can’t think of anything better.  Batman’s a psychopath who brutalises criminals and Bruce Wayne’s a rich, white racist who hates the idea of an asylum seeker or immigrant (which is what Superman is after all) being more powerful than him. Alright, that’s possibly a tad harsh but the politics of this film are all over the place. Is Superman seen as good by people? Depends on the scene and whether it serves the plot. Is Batman a psychotic murdering thug or a brave vigilante? Depends on whether the plot needs to move in one direction or not? Why is Wonder Woman there for 95% of the running time if all she’s there for is for Affleck’s Bruce Wayne to go chasing her like some horny teenager.

The entire plot revolves around Jesse Eisenberg’s Lex Luthor manipulating Batman and Superman to fight each other. Much of it makes no sense like why is Batman/Bruce Wayne (one of the finest investigators and detectives on the planet) unable to spot the bloody obvious signs that Luthor is insane and is manipulating him? Is he that stupid?


And Superman; why can’t he hear the bomb in a scene that in better hands would be a pivotal scene but is just confused. Why doesn’t the most powerful creature that’s on planet Earth work all this out in a second using his powers? Is he that stupid?


As for Lois Lane, she’s relegated to the role of being saved by Superman and/or pining for him in scenes they don’t share together, including one semi-nude scene that simply comes over as awkward mainly because Henry Cavil and Amy Adams have all the charisma together of fish and diarrhoea. Also, this film isn’t going to pass the Bechdel Test because out of the four main female roles in this film, one pines for Superman, one is in and out to set up future films, one gets killed halfway through and the other exists to be held hostage near the end. Everything in the film though is secondary to Batman and Superman, even poor Jeremy Irons wasted in the role of Alfred seems like an afterthought in the script.

There’s the problem. Rather than building a good script the film has to service several things from having Superman and Batman fight (obviously), setting up future DC films (so there’s teasers for Suicide Squad, Wonder Woman, The Flash, Aquaman and Justice League) and director Zack Snyder’s obsession with having people hit each other over and over and over again in some of the most unexciting, stale scenes of action I’ve seen in a while. Then there’s the problem of having the script reference The Dark Knight Returns and The Death of Superman at any available opportunity.

The problem is that DC and Warners have spent ages fannying around trying to work out what to do with their characters, and in that time Marvel have proven a cinematic universe works if you spend some time building it up. In trying to jump start it and throw all the big guns out first, DC have real issues here, mainly with quality control but having dark, humourless, joyless (it’s amazing how starkly joyless this film is for what is essentially two children’s characters fighting) and emotionally empty films like this isn’t a great start.

There are good points though. Cavil is a good actor and does what he can. Affleck is fine, but everyone else is totally wasted by David Goyer’s clunking fist of a script. Yeah, the idea of spinning off criticism of Man of Steel’s end slaughter is the film’s one smart idea, but when we get to the end and you have Batman luring back into the city towards where people are, not to mention a scene where Doomsday smashes up the memorial to the dead of the first film, then it feels like they simply didn’t care by the end to stick to, or develop that idea that heroes try to save people rather than be stupid careless arseholes.

Batman versus Superman isn’t a dreadful film. It’s a bad one that suffers from poor direction at times and a dreadful script, but it’s entertaining in places, however it’s a bloated, overlong confusing mess as said. It raises the point about whether Snyder or even DC get these characters they have. If after all this film is being marketed to kids (as it is here in the UK with things like cuddly meerkat dolls)  but their ‘heroes’ are a pair of moody stupid dickheads, then that risks the film pandering only to a hardcore of DC Comics superhero fans which means they’re looking to sell this really to 20-50 year old men. If you’re going to make money back from a $250 million film you need to go outside that audience, and although it’s making money in the UK on a damp Easter weekend in March, the test is going to be whether it carries on making money next week, or the week after.

The main feeling I have though is of a wasted opportunity. This could have been a fun bit of superhero action/adventure. It could have given me more than maybe one smile. It could have been less tedious in it’s violence and action. Instead it’s another Zack Snyder film and that’s the most damning thing I can say about this.

”I made Superman real”

This is what Hollywood uberhack Zack Snyder said in this interview in regard his Superman film, Man of Steel. He says:


“The thing I was surprised about in response to Superman was how everyone clings to the Christopher Reeve version of Superman,” he told Forbes. “How tightly they cling to those ideas, not really the comic book version, but more the movie version. … If you really analyze the comic book version of Superman, he’s killed, he’s done all the things. I guess the rules that people associate with Superman in the movie world are not the rules that really apply to him in the comic book world because those rules are different. He’s done all the things and more that we’ve shown him doing, right?”

Like in “Watchmen,” which he directed in 2009, Snyder said he wanted to depict the true nature of violence rather than the sanitized, unrealistic version.

“It’s just funny to see people really taking it personally … because I made (Superman) real, you know, I made him feel or made consequences (in) the world,” he said. “I felt like, it was the same thing in ‘Watchmen.’ We really wanted to show it wasn’t just like they thought, like the PG-13 version where everyone just gets up and they’re fine. I really wanted to show the violence is real, people get killed or get hurt and it’s not fun or funny.”


It’s fucking Superman, not Taxi Driver. People love Superman because it’s hopeful. fun and ultimately it’s a giant power fantasy which allows us as an audience a bit of escapism. That’s why people love the Christopher Reeve Superman films, (well, the first two), myself included, and it’s also why people reacted badly to Man of Steel, myself included.

A good Superman story isn’t going to teach you the reality of violence, because Man of Steel avoided showing that. It was sanitised Hollywood violence which was firmly the sort of disaster porn the likes of Michael Bay trades in. The sad truth is that there’s nobody making these films with any really new ideas so they trade constantly on the ‘realism’ angle but it’s impossible to do a ‘real’ story about an alien in blue tights who can fly.

Constantly feeding people misery, death and violence featuring characters meant to inspire children isn’t ‘adult’ or ‘real’ it’s just a depressing lack of imagination, not to mention desperation throwing Batman and Wonder Woman into the sequel in order to try to jump start a Justice League film. People are in a recession. They’re struggling to make a living. They want fun escapism. They don’t want Superman being ‘real’ and killing people left, right and centre. A little bit of fantasy, joy and escapism works wonders, especially with characters designed to be enjoyed by children and anyone really, not just a group of grim blokes who think ‘adult’ means death, and kewl explosions.

There’s a lot to hate the Marvel films for with the lack of payment/credit to Jack Kirby and other creators being the main one, but they at least understand that a relentless, joyless experience is going to turn people off, and also, these characters are bloody silly so you need to ground them, but at the same time give them a sense of fun. That’s what Snyder misses. That’s why his film was a failure, and why the sequel will probably be the same.

Honestly, what’s wrong with a bit of fun and joy with your superheroes?